Big Sandy & His Fly-Rite Boys
Rose's Pawn Shop
Dano Forte's Juke Joint Freakshow
$12 pre-sale / $15 day of show
Over the past couple of decades, tribute bands have become big business in the world of concert promotion. And, not surprisingly, the more popular ones are the acts that are most authentic. Such is the case with Cash’d Out (Douglas Benson vocals, Kevin Manuel guitar, George Bernardo drums, and Stephen Rey bass), a San Diego based band, that channels Johnny Cash in about as close a manner to the real thing as it gets. How can you tell? Well, beyond critics having anointed Cash’d Out the “next best thing to Johnny Cash,” and the group having won six San Diego Music Awards for Best Tribute Band, and being the only tribute band endorsed by the official Johnny Cash web page, JohnnyCash.com, the real proof lies in what members of Cash’s inner circle have said. “Cindy Cash came to a show, we made her cry and she gave me a necklace with Johnny's hair in a glass locket,” explains front man Douglas Benson. Benson added that Cash producer Lou Robin has also been to several Cash’d Out shows, and claimed that if he closed it eyes it was like “going back in time.” After eleven years, hundreds of thousands of miles on the road and many more fans, those fans continually tell the group how grateful they are that Cash’d Out continues to bring back memories of loved ones who once raised them on the music of Johnny Cash. Cash’d Out’s highlights have been many, W.S. Holland, Cash’s longtime drummer, sat in with Cash’d Out at a birthday celebration for Johnny Cash hosted by Bill and Shannon Miller of JohnnyCash.com at the Fender Museum in Corona, California. “And Bill let me play Johnny’s cherry sunburst Guild guitar,” added Benson. Cash'd Out has over 150 of JC's songs in their repertoire, including the June Carter Cash duets brought back to fame in the Oscar winning film, Walk the Line. Cash'd Out also tailors performances to suit any venue or function -- from clubs, theatres, fairs and casinos to museums and corporate events. The band’s live shows respectfully reference the late, great Man in Black's Sun Records and early Columbia era sound, combined with the energy of the classic multi-platinum live recordings from Folsom Prison and San Quentin. The group's genuine love (and authentic recreation) of Johnny Cash’s music and its universal appeal fans of all ages and of virtually all musical genres makes each Cash’d Out show a must-see event. Or as Miller says, “Some people are impressionists. These guys leave an impression.” For more information, please visit www.cashdout.com
Over the last three decades, Big Sandy and his Fly-Rite Boys have kept up a constant cycle of traveling back and forth across the lower 48, then hopping across the pond to Europe and beyond. They bring with them a brand of American music that has earned them an induction into the Rockabilly Hall of Fame, several national television appearances, guest spots on The Grand Ole Opry, and a slew of adoring fans. "I truly love being out on the road, and I feel blessed to have the opportunity to sing my songs all over the world," said Sandy. "But when I'm away from the U.S. for too long, it's like I need a recharge... like I need a solid dose of everything Americana. Give me a Chuck Berry song while rolling down the interstate, or a truck stop conversation with a waitress who once danced with Lefty Frizzell, and I'm good for another three thousand miles".
Rose's Pawn Shop
It may come as a surprise to hear the strains of Appalachian and Americana music channeled through five guys from Los Angeles, CA, but heartache, loss and regret have always been the cornerstones of great music, and this city has more than its share. In a town better known for porn stars and face lifts, anything as authentic and heartfelt as ROSES’S PAWN SHOP is a pleasant surprise.
Singer/songwriter Paul Givant grew up on the same disparate array of popular musical styles as any other late 20th century kid. In that mishmash of Rock, Punk, Country, Pop, and Rap, it was American Folk and Bluegrass that rooted deepest in Paul, transforming him and his songs. Having made the rounds in various rock bands since early high school, Paul decided it was time to take his growing batch of new folk-oriented songs and create a band that could deliver this material the way he imagined it sounding.
As so many fortuned events have unfolded, it was through a series of chance meetings, twists of fate, and a little help from Craigslist, that Paul met kindred spirits in Stephen Andrews, John Kraus, Tim Weed and Christian Hogan. Together they began building the music and the band that would soon become ROSES’S PAWN SHOP. They combined, in their collective musical melting pot, the old style American sounds of Woody Guthrie, Bill Monroe, and Hank Williams with a higher energy approach more reminiscent of modern Alt-Rock, all with a deeply melodic songwriting sensibility. The goal was to create a sound that was unique, yet imbued with a sense of familiarity.
The final ingredient was added one fateful day when Paul’s scorned ex-girlfriend/former band-mate, Rose, in an act of revenge, stole the band’s gear and instruments from their practice space and brought it down to the local pawn shop. Priceless! The match was lit … and ROSES’S PAWN SHOP was born! (Of course, not until after they got their gear out of hock!)
In 2010, the near-current line-up of the band recorded the album “Dancing on the Gallows,” and the band began hitting the road. Once the final line-up was locked in, they began touring the United States more consistently and have ever since. On any given night, you could find ROSES’S PAWN SHOP playing the Georgia Theatre in Athens, busking the streets of Jackson Square in New Orleans, opening for Jack White and The Raconteurs at the Henry Fonda Theatre in Los Angeles, ripping the walls off the club in their month long residence at the Parkside Lounge in New York City, or hitting the main stages of prestigious festivals such as Floydfest in Virginia and Wakarusa in Arkansas. The band is out there, growing their music, iginiting their passion, and converting an ever-increasing congregation of fans.
With an arsenal of guitars, banjo, thumping upright bass, fiddle and drums, delivering neo-classical-sounding melodies and lyrics, their sound is a wholesome mishmash of creek mud, rusty nails and your mom’s cookin’. It’s sincere, straight-forward and sexy as fuck, effortlessly combining such disparate musical styles as rock, country, bluegrass, and punk to create an incomprehensibly smooth and accessible sound for true believers and skeptics alike.
They confront traditional country music themes of loss, lamentation, and redemption, with a couple of drinking songs for good measure. Sure, they’re borrowing pages from the books of Hank Williams, Bill Monroe, and Johnny Cash, but ROSES’S PAWN SHOP takes those pages, tears them up and sets them on fire with three and four part vocal harmonies and lyrics that’ll break your heart.
Something happens when you hear these songs. No matter how low you’ve sunk, something in the music finds you. It picks you up and carries you home.
In September 2014, ROSE’S PAWN SHOP released their newest album, Gravity Well, produced and mixed by Ted Hutt (Old Crow Medicine Show, Gaslight Anthem, Dropkick Murphy’s) to great critical and fan acclaim. The band is currently on tour is support of that album.
Dano Forte's Juke Joint Freakshow